Complete your Glenn Gould … An "other-worldly" performance. I'd have to choose the 1955 recording. While Glenn Gould's 1955 debut recording of Bach's Goldberg Variations has attained legendary status, there are many devoted fans who rank the 1981 recording just as highly, even though it offers a dramatically different interpretation. ... Glenn Gould -The Complete Goldberg Variations (1955 & 1981) : A State Of Wonder. Reissued together now to mark the 20th anniversary of his death, the two recordings of the Goldberg Variations provide a fascinating comparison. His music ... Jetzt mehr erfahren! The 1981 recording is surely Gould's last word on the GV, whatever the critics may think. The earlier one has been scrupulously remastered for the new album, and sounds more lifelike and immediate than ever before. I'm still trying to find out which ones it was. But the eccentricity of his performances, some of which seem wilfully perverse, with their mannered phrasing and exaggeratedly slow or fast tempos, was less easy to take. - Joachim Kühn. Little can be added to all the critical accolades heaped upon Glenn Gould’s Goldberg Variations, be it the pianist’s landmark 1955 disc debut or his similarly individual, though strikingly different 1981 remake. In his lifetime Gould was viewed with suspicion, if not downright hostility, in some quarters. Variation No. Discussion in 'Music Corner' started by Gallileo, Jun 29, 2012. Thread Status: Not open for further replies. But still I think I have listened more often to the 1955 which is more natural and demands less purity of mind perhaps to listen to. In 1955, at age 22, Canadian pianist Glenn Gould signed a recording contract with Columbia Records and recorded the Goldberg Variations. 1982: Glenn Gould – Bach: The Goldberg Variations (1981 Digital Recording), CBS Masterworks, IM 37779 2002: Glenn Gould – A State of Wonder: The Complete Goldberg Variations, 1955 & 1981, Sony Classical, S3K 87703 (3 lemezes kiadás: 1955-ös és 1981-es felvétel, valamint egy kiadatlan felvételeket és egy interjút tartalmazó lemez) Discover releases, reviews, track listings, recommendations, and more about Glenn Gould - A State Of Wonder • The Complete Goldberg Variations 1955 & 1981 at Discogs. Listening to the 1981 version makes me feel very much at peace. It's been years since I last listened to it. Andrew Clements. Which of these two recordings do you prefer and why? By continuing to use this site, you are consenting to our use of cookies. I voted for 1981, although I don't really prefer one recording. Options: Expand this article to comprehensively cover both recordings, and change the disambiguation tag to (Glenn Gould recordings) Limit it to the 1955 recording, with a link to a new article on the 1981 recording. Glenn Gould's extraordinary career was bracketed by the Goldberg Variations. Work: Rednet 3 > DEQ2496 > Wavedream Signature XLR > Stellaris > Verite Closed / HD 6xxM / Utopia, Home office: Bifrost 2 > Nobsound NS-05P > Schiit Vidar > Harbeth P3ESR + Rel T/7i. Bach: Goldberg Variations (recorded 1955 and 1981): Glenn Gould ... Glenn Gould. In 1955 Gould got through the work in 38 minutes, while in 1981 he took 51; in the later account he does observe some repeats (there were none in 1955), but there is also a broadness, a sense of contemplation in a work that clearly meant more to him than any other. 3min 5sec for '1981'. Nowadays, I find them both to be very much afflicted with his mannerisms and those mannerisms break my concentration. The most startling contrast is in the sheer length of the performances. Both performances are acts of profound artistic creativity, and both are essential parts of any CD collection. For the most part I listen to my Wanda Landowska recordings, miserable audio quality and all, and also to my Rosalyn Tureck recordings which also have the amazing clarity of line that I crave. Ceremonial old guy, bifocals and all.All the philosophy he can muster can't solve the mysterious double-post. In the subsequent 20 years, Gould's reputation and stature as one of the most important pianists of the 20th century have been maintained, and these two recordings especially have achieved near legendary status. In the subsequent 20 years, Gould's reputation and stature as one of the most important pianists of the 20th century have been maintained, and these two recordings especially have achieved near legendary status. The two contrasting interpretations of Bach 's Goldberg Variations were the bookends to his great career and they became his most famous recordings. About time we had this poll on this site! In the liner notes, Glenn Gould writes that he tried to convey a constant pulse throughout the entire Cd, which I think he managed to do favourably. JavaScript is disabled. Appropriately, the pianist also closed his studio career with a more ruminative (yet still exciting) version, in 1981. But in the 1981 variations, Gould makes good on his desire for dignity. Here they are, alpha and omega, first and last - the 1955 performance of Bach's Goldberg Variations that won the young Glenn Gould world acclaim, paired with his second, vastly different recording of the same piece, issued only days before the pianist's death on Octo- ber 4, 1982. His strange and reclusive behaviour (he abandoned recitals altogether in 1964, and concentrated solely on recordings) only added to the controversy. The one significant exception to this rule is Bach’s Goldberg Variations, which he recorded twice. The set also includes a disc of outtakes from the 1955 sessions as well as an interview Gould gave in 1982, in which he discussed the differences between the two performances. You may not like everything he does (and the almost arbitrary attitude to repeats in 1981 infuriates purists) but it is piano-playing of an astonishingly high musical and technical order. For a better experience, please enable JavaScript in your browser before proceeding. The 1981 is remarkable in managing to set out the Goldbergs as a great and unified work -primarily done by one sense of pulse throughout the work as you say. Source:  Benchmark DAC1, PreSonus Central Station. Gould's first landmark performance was released in 1955, and it was passionate, fast, and popular -- … It was his first recording of the work, in 1955, that established Gould as a pianistic force of exceptional gifts, while the second studio version he made in 1981 (there is also a Salzburg festival performance from 1957) proved to be his last visit to the recording studio; it was released in September the following year, just days before his sudden death at the age of 50. © 2001-2021 Head-Fi.org. What remains constant is the mastery of the playing. There are substantial difference between two Gould's versions in relation with tempo. All rights reserved. There is no pain playing Bach, it is being unable to play that wounds most deeply. You must log in or register to reply here. Bach - Goldberg Variations, Italian Concerto in F major BWV 971 [2008] 140.24MB andras-schiff-bach-goldberg-variations 202.62MB; Bach Goldberg Variations (2000-2018) 39.60GB Trevor Pinnock - Bach - Goldberg Variations (24-192) 2.81GB Parker Ramsay - Bach Goldberg Variations (Arranged for Harp)(2020) [24 … Thanks to a potent mix of rhythmic precision and blinding-fast tempi—just listen to the liftoff of Variation 5—Glenn Gould burst onto the record industry's radar with his 1955 performance of this Bach masterwork. Glenn Gould’s recording debut in 1955 of Bach’s Goldberg Variations took the world by storm. lenn Gould's extraordinary career was bracketed by the Goldberg Variations. Sales were "astonishing" for a classical album: it was reported to have sold 40,000 copies by 1960, and had sold more than 100,000 by the time of Gould's death in 1982. Are essential parts of any CD collection 1955 or 1981, which he recorded twice still exciting version... 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